These are modern people with modern problems. Farhadi, like Haneke, takes a scalpel to his bourgeois homeland. All these things surely show the influence of Michael Haneke's 2005 film Hidden. The film shows a middle-class household under siege from an angry outsider there are semi-unsolved mysteries, angry confrontations and family burdens: an ageing parent and two children from warring camps appearing to make friends. In its depiction of national alienation in Iran, it's comparable to the work of Jafar Panahi and Mohammad Rasoulof. A Separation is a portrait of a fractured relationship and an examination of theocracy, domestic rule and the politics of sex and class – and it reveals a terrible, pervasive sadness that seems to well up through the asphalt and the brickwork. An unhappily married couple break up in this complex, painful, fascinating Iranian drama by writer-director Asghar Farhadi, with explosive results that expose a network of personal and social faultlines.
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